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WINTER ORANGES comp and cond. by GRAHAM COLLIER

WINTER ORANGES GRAHAM COLLIER1.THREE SIMPLE PIECES: PART ONE GRAHAM COLLIER 5.48
0flygelhorn: Thomas Fryland
2. THREE SIMPLE PIECES: PART THREE GRAHAM COLLIER 6.48
00tenor sax: Tomas Franck, drums: Soren Frost

3. BLUE SPRING 9.21
00fiugeihorn; Henrik Bolberg

4. EGGSHELL SUMMER 13.41
00piano. Nikolaj Benzon; percussion: Ethan Weisgard;
00drums: Soren Frost; bass: Thomas Ovesen;
00guitar: Antlers Chico lindvall; alto flute: Nicolai Schultz

5. TINTED AUTUMN 6.03
00bass: Thomas Ovesen, trumpet: Henrik Bolberg

6. WINTER ORANGES 1.44
00bass clarinet: Uffe Markussen; trombone: Vincent Nilsson

 

 

 

 

 

PERSONNEL

Ttrumpets: Antlers Gustalsson (lead); Benny Rosenfeld ; Thomas Kjærgaard, Henrik Bolberg, Thomas Fryland

Trombones
Vincent Nilsson, Steen Hansen, Peter Jensen, Annette Huseby
bass trombone and tubaAxel Windfeld

Saxes:
Nicolai Schultz ;alto and soprano saxes and clarinet
Michael Hove alto and soprano saxes; alto flute

Tomas Franck ;tenor sax, clarinet and bass clarinet
Uffe Matkussen ; Tenor and soprano saxes

Flemming Madsen ;baritone sax and bass clarinet

Piano
Nikolaj Bentzou

Bass
Thomas Ovesen

Guitar
Anders Chico lindvall

Drums
Soren Frost

Percussion

Ethan Weisgard

Recorded at Copenhagen JazzHouse, 17 November 2000
Executive Producer: Peter H Larsen

Producer: Ture Larsen
Engineers: Niels Erik Lund and Lars Nissen
Mastered by Tom Leader
Translated by Ulf Radelius

Composer and educator GRAHAM COLLIER was the first British jazz
recognition of his work in 1967,

He has since released fifteen albums, toured the world with various small project, The Jazz Ensemble, and continues to travel and teach. He is the author of seven books on jazz,and launched the jazz degree course at the Royal Academy of Music in London in 1989.
He now lives in Andalucia.

Radio Jazz Group and the Danish Radio Big Band. In the period 1968 to 1992 I commissioned Graham Collier to write 35 compositions for the two orchestras. Winter Oranges, his new work, is a long overdue return

– Erik Moseholm

Author of Secret Crystal, a book about the early days of the Danish Radio Jazz Ensembles.

THE DANISH RADIO JAZZ ORCHESTRA is Denmark’s national jazz hand.

The orchestra was founded in 1964 and has established itself as an ensemble in the international jazz elite with bandleaders like lb Glindeman, Ray Pitts, Palle Mikkelborg, Thad Jones, Ole Kock Hansen, Bob Brookmeyer and Jim McNeely (since January 1999). The orchestra gives concerts both in Denmark and abroad, and has through the years been the host of hundreds of guests – soloists, bandleaders and arrangers including Miles Davis, David Sanborn,
Stan Kenton, Stan Getz, Dizzy Gillespie, George Russell, Manhattan Transfer, John Scofield, Toots Thielemans, McCoy Tyner, Maria Schneider, Oliver Nelson, Martial Solal, Tom Harrell, and Van Morrison,

 

 

 

 

 

AUGUST MUSIC – Thomas Clausen

AUGUST MUSIC
August Music & Oktober Nat recorded live at Den Sorte Diamant, Copenhagen November 30′”, 1999
Moon Boots & Time Remembered recorded at Studio 3, Broadcast House, Copenhagen, December 1 °’ and 2nd 1999

Produced for radio by Ture Larsen
Produced for CD release by Peter H. Larsen

Recording engineer: Lars Palsig
Mixed by Peter Jensen and Lars Palsig Mastered by Jørgen Vad, November 2002

Cover art: Lars Møller Nielsen Cover design: Malene Garp

Manifactured by Sonopress Executive producer: Søren Friis

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DANISH RADIO BIG BAND

Trumpets:
Lars Lindgren
Benny Rosenfeld
Anders Gustafsson
Henrik Bolberg Pedersen

Reeds:
Tomas Franck
Thomas Fryland
Michael Hove
Nicolai Schultz
Uffe Markussen
Flemming Madsen

Trombones:
Vincent Nilsson
Steen Hansen
Peter Jensen
Alf Vestergaard
Axel Windfeld

Rhythm:
Anders “Chico” Lindvall, g
Thomas Ovesen, b
Søren Frost, dr
Ethan Weisgard, perc

Conductor:
Helge Albin

 

 

 

 

 

 

 

 

 

 

1. August Music (Thomas Clausen) 25:37

2. Oktober Nat (Thomas Clausen) 8:59

3. Moon Boots (Thomas Clausen) 8:04

4. Time Remembered (Bill Evans) 5:40

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

STAN Kenton WITH THE DANISH RADIO BIG BAND

STAN Kenton WITH
THE DANISH RADIO BIG BAND
1. Artistry In Rhythm* 1:03
(Stan Kenton)
Conducted by lb Glindemann
2. Malaguena 5:22
(Ernesto Lecuona)
arr. Bill Holman
Trombone solo: Torolf Mølgaard
Tenor Saxophone Solo: Bent Jædig

3. I’m Glad There Is You 4:15
(Paul Madeira-Jimmy Dorsey)
arr. Stan Kenton
Piano Solo: Stan Kenton

4. The Blues Story 6:30
(Gene Roland)
Piano Solo: Stan Kenton
Trombone Solo: Torolf Molgaard
Tenor Saxophone Solo: Bent Jædig
French Horn Solo: Preben Gamov

5. Love For Sale 4:26
(Cole Porter)
arr. Pete Rugolo
Trombone Solo: John Lind
Alto Saxophone Solo: Rolf Billberg

6. Stella By Starlight 7:00
(Victor Young-Ned Washington)
arr. Bill Holman
Alto Saxophone Solo: Rolf Billberg

 

 

 

 

 

 

 

 

7. Limehouse Blues 4:42
(Philip Braham-Douglas Furber)
arr. Bill Holman
Alto Saxophone Solo: Rolf Billberg
Trumpet Solo: ldrees Sulieman
Tenor Saxophone Solo: Bent Jædig
8. Interlude 6:05
(Pete Rugolo)
Piano Solo: Stan Kenton

9. Dragonwyck 5:25
(Gene Roland)
Trumpet Solo: Allan Botschinsky
Alto Saxophone Solo: Rolf Billberg

10. Yesterdays 6:42
(Jerome Kem-Otto Harbach)
arr. Bill Holman
Tenor Saxophone Solo Uffe Karskov

11. Artemis And Apollo 5:59
(Johnny Richards)
Trumpet Solo: Palle Mikkelborg
Trombone Solo: Torolf Mølgaard

12. Cuban Fire Sulte 12:48
(Johnny Richards)
Trombone Solo: Torolf Mølgaard
Trumpet Solo: ldrees Sulieman
Alto Saxophone Solo: Rolf Billberg
Tenor Saxophone Solo: Bent Jædig


13. Talk 0:2614. It’s The Talk
Of The Town 1:14
(Symes-Neiburs-Livingston)
(lb Glindemann signature)
Conducted by Stan Kenton

15. Fanfare 1:34

Total time: 73:36

 

 


Personnel:
Palle Mikkelborg,
Idrees in its youth, and characterized by a Sulieman, Allan Botschinsky,
Palle fair portion of political correctness. Bolvig,
Svend Lundvig (tp),

Bent Jædig Included in this correctness was a (ts), Uffe Karskov (ts & as),
Rolf certain built-in skepticism regarding Billberg, Erling Christensen (as),
Bent the phenomenon Stan Kenton. With Nielsen (bs),

Torolf Mølgaard,
John youthful passion, I defended black, Lind,
Ole Kurt Jensen,
Poul rebellious jazz, and, if I were to hear Kjældgaard, Steen Engelholt,
Helmuth “white” music, it shouldn’t be by Hansen (tb),

Preben Gamov,
David ambitious west coast arrangers, Stembach, Knud Sørensen,
Per who I believed had not completely Larsen, (f-hom), Stan Kenton (p & digested their studies of European cond.),

Ole Molin (g).
Niels-Henning classical music. Rather, it should be Ørsted Pedersen (b),
Bjame Rostvold with earnest and personal lyricists (dr),
John Steffensen,
Per Nielsen like Bill Evans or, as in this case,
Rolf (perc.), lb Glindemann (cord.’). Billberg.

Produced for CD by lb Glindemann & It’s useless to deny it: when I attended Anders Stefansen this concert in the Radio Concert Hall